By John P. Herron
As cozy within the royal courts of Europe because the distant box camps of the yankee West, Clarence King was once the founding director of the U.S. Geological Survey, and used his status to combine technology into overdue 19th century political debates approximately overseas coverage, immigration, and social reform. within the mid-1930s, Robert Marshall based the environmental advocacy team, The desolate tract Society, which reworked the face of traditional renovation in the United States. dedicated to social justice, Marshall mixed wooded area ecology and pragmatic philosophy to craft a typical technology ethic that prolonged the succeed in of technology into political discussions concerning the restructuring of society caused via urbanization and fiscal main issue. Rachel Carson deservedly will get credits for launching the trendy environmental flow together with her 1962 vintage Silent Spring. She made a new release of american citizens conscious of the social expenditures inherent within the human manipulation of the flora and fauna and used normal technology to critique tested associations and supply another imaginative and prescient of a fit and various society. As King, Marshall, and Carson turned more and more cautious of the social expenditures of industrialization, they used their medical paintings to handle difficulties of ecological and social imbalance. at the same time technological know-how grew to become professionalized and compartmentalized. those scientists labored to maintain technology suitable to broader highbrow debates.
John Herron bargains a brand new tackle King, Marshall, and particularly Carson and their importance that emphasizes the significance in their paintings to environmental, political, and cultural affairs, whereas illuminating the wider effect of usual technology on American culture.
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Extra info for Science and the Social Good: Nature, Culture, and Community, 1865-1965
Science and the Social Good: Nature, Culture, and Community, 1865-1965 by John P. Herron