By Kenneth Baxter Ragsdale
Building his tales round issues of compassion, clash, and compromise, he profiles either well-known and comparatively unknown figures. He tells tales of curanderas (healers), charity staff, a lady who practiced medication with no license, and one other who all started a personal lending library in her shop to motivate rural, bad teenagers to learn. not like those tales, he chronicles blood feuds, shootouts, and the violence bred in wild, quite lawless spaces.
In a desirable play on degrees of which means, Ragsdale lines the legacy of J. Frank Dobie and his tales of buried treasuretreasure that grew to become out to be that of the mind's eye if now not of gold. ultimately, he turns his consciousness to the cinematic portrayal of existence within the immense Bend. He appears to be like on the filming of Giant either as a subtext of its own--how the arriving of big name and celebrities affected neighborhood life and self-perceptions--and as a cultural statement at the well known conception of the West.
Ragsdale's tales hide a half-century, approximately 1900 to 1955, from wagon trains to the filming of an epic motion picture, a time within which the face of the massive Bend replaced: the quicksilver mines closed, a countrywide park was once proven, isolation and livestock gave approach to holiday ranchettes and tourists.
Big Bend lovers probably want to subscribe to the writer in his farewell tribute as he recaptures the spirit of the days throughout the eyes and phrases of the folks who made the area the folklore allure it is.
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Additional resources for Big Bend Country: Land of the Unexpected (Centennial Series of the Association of Former Students, Texas A&M University)
Big Bend Country: Land of the Unexpected (Centennial Series of the Association of Former Students, Texas A&M University) by Kenneth Baxter Ragsdale